[Verse 1]
I’ve been cheated by you since I don’t know when
So I made up my mind, it must come to an end
[Pre-Chorus 1]
Look at me now, will I ever learn?
I don’t know how, but I suddenly
Lose control
There’s a fire within my soul…
Just one look and I can hear a bell ring
One more look and I forget everything, woah-oh oh-oh
[Chorus 1]
Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go?
Mamma mia, now I really know
My my, I could never let you go
[Verse 2]
I’ve been angry and sad about things that you do
I can’t count all the times that I’ve told you we’re through
[Pre-Chorus 2]
And when you go, when you slam the door
I think you know that you won’t be
Away too long
You know that I’m not that strong…
Just one look and I can hear a bell ring
One more look and I forget everything, woah-oh oh-oh
[Chorus 2]
Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go?
Mamma mia, even if I say
Bye bye, leave me now or never
Mamma mia, it’s a game we play
Bye bye doesn’t mean forever
[Chorus 1]
Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go?
Mamma mia, now I really know
My my, I could never let you go…
“Mamma Mia” is a song recorded by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group’s third album, the self-titled ABBA. The song’s name is derived from Italian, where it is an interjection used in situations of surprise, anguish, or excitement, which corresponds to the English interjection “my” but literally means “My mommy”. The interjection “my my” can indeed be found in some lines within the song.
The distinctive sound at the start of the song is the marimba.[1] According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its “tick tock” rhythm was perfect for the track.[2]
“Mamma Mia” was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. It was one of four songs from the album to have a music video made to promote the album. Initially, however, “Mamma Mia” was never intended for release as a single.[1] Around this time, many artists were recording ABBA songs (such as “Honey, Honey” and “Bang a Boomerang“), similarly ABBA offered “Mamma Mia” to British pop group Brotherhood of Man, who turned it down.[3]
“I Do, I Do, I Do, I Do, I Do” topped the Australian charts for three weeks; however, the promo clip for “Mamma Mia” proved the more popular after repeat screenings on Australian television, notably Molly Meldrum‘s Countdown. ABBA’s Australian record company, RCA, asked that “Mamma Mia” be released as a single but Polar Music refused.[4] However, Stig Anderson agreed to this; “Mamma Mia” was released in Australia in August 1975, where it spent 10 weeks at number one.[1]
After this success in Australia, Epic Records in the United Kingdom took notice of ABBA for the first time since Eurovision and “Waterloo“. From then on, Epic began to heavily promote ABBA’s singles with the immediate result of “S.O.S.” reaching the Top 10 in the important British market, their first hit since “Waterloo“. “Mamma Mia” soon followed, reaching number one in the UK Singles Chart in January 1976, the second of ABBA’s 18 consecutive Top 10 singles there.[1]
The B-side for the Australian release of “Mamma Mia” was “Hey, Hey Helen”. In most other countries the B-side was the instrumental “Intermezzo Number 1”. ABBA’s British label Epic selected “Tropical Loveland” as the B-side for the UK release, feeling another vocal track, especially one showcasing ABBA in a different musical style, would better promote the parent album.
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Year-end charts |
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|
“Mamma Mia” | ||||
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Single by A-Teens | ||||
from the album The ABBA Generation | ||||
Released | 10 May 1999 | |||
Format | CD Single Cassette vinyl 12″ airplay |
|||
Recorded | January 1999 | |||
Genre | Pop, Europop | |||
Length | 3:44 (Album Version) 3:42 (Radio Edit) |
|||
Label | Universal Music Group | |||
Songwriter(s) | B. Andersson S. Anderson B. Ulvaeus |
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Producer(s) | Ole Evenrude | |||
A-Teens singles chronology | ||||
|
“Mamma Mia” became the first single by the A-Teens which was released as the debut single from the album The ABBA Generation. The song is a cover version of the popular hit by ABBA. Unlike the original, this version leaves out the second refrain “Mamma Mia, even if I say, Bye bye, leave me now or never; Mamma Mia, it’s a game we play, Bye bye, doesn’t mean forever.”
When the single came out in the spring of 1999, it became a smash hit in their home country, Sweden, where it peaked at number-one and stayed there for eight consecutive weeks earning a platinum certification.[21]
On the initial pressings of the single, the name of the band appeared as ABBA*Teens, but Universal Music Group thought it would be better to change the name of the band to A-Teens so the new pressings of the single were made.
The single reached the top twenty in almost every European country, reaching number three in Norway, number nine in Switzerland and the Netherlands, number ten in Germany, number twelve in the United Kingdom, number fourteen in Austria and Finland, among others. A Spanish version of the song was recorded for promotion in Latin America and Spain.
Despite the worldwide success, the song failed to attract the Australian public, peaking at seventy-two on the ARIA Charts. The album flopped, and the A-Teens stopped releasing singles or albums in that country until the 2002 single “Can’t Help Falling in Love“. “Mamma Mia” also peaked at thirteen in New Zealand, but owing to the lack of success in Australia, the further singles were never released in that country either.
In the United States the single peaked at sixty-three on the Billboard Hot Single Sales Chart, becoming the band’s first single to chart in the country.[22]
The music video was directed by Henrik Sylvén and was filmed in Sweden. It shows the A-Teens as waiters in an art exposition, and they are suppressed by the manager; but soon they discover that one of the paintings transports them to a party where the manager and patrons he’s helping also join in on the fun.
The video reached number one on several music channels, and was the main single outside the US, where “Dancing Queen” was used as the main single to promote the album.[23]
European 2-Track CD Single
International Edition
U.K. CD1
Video: Mamma Mia
U.K. CD2
U.K. Cassette
U.S. CD Single
Promo CD
12″ Vinyl Promo
Preceded by “I Do, I Do, I Do, I Do, I Do” by ABBA |
Australian Kent Music Report number-one single 10 November 1975 – 5 January 1976 |
Succeeded by “S.O.S.” by ABBA |
Preceded by “Bohemian Rhapsody” by Queen |
UK Singles Chart number-one single 31 January 1976 – 13 February 1976 |
Succeeded by “Forever and Ever” by Slik |
Irish Singles Chart number-one single 31 January 1976 – 28 February 1976 |
Succeeded by “Broken Promise” by Red Hurley |
|
Preceded by “Moviestar” by Harpo |
German Singles Chart number-one single 6 February 1976 |
Succeeded by “Moviestar” by Harpo |
Preceded by “Dolannes-Melodie” by Jean-Claude Borelly |
Swiss Singles Chart number-one single 6 February 1976 – 13 February 1976 |
Preceded by “Boom Boom Boom Boom” by Vengaboys |
Swedish Singles Chart number-one single (A-Teens version) 20 May 1999 – 20 July 1999 (8 weeks) |
Succeeded by “Mambo No. 5 (A Little Bit of…)” by Lou Bega |
Listen to ABBA: https://play.lnk.to/ABBA
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Read More About ABBA: http://www.abbasite.com/
(Benny Andersson, Björn Ulvaeus and Stig Anderson)
© 1974 Polar Music International AB
Published by: Universal/Union Songs AB
Video produced by: Lasse Hallström
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